Vol. 10 No. 2 (2021): HISTÓRIA E MÚSICA NA AMÉRICA LATINA: INTERLOCUÇÕES HISTORIOGRÁFICAS

DOI: https://doi.org/10.18223/hiscult.v10i2

Published: 2022-01-03

Full Issue

• Edição Completa (Portuguese)

EDITORIAL

• HISTÓRIA E MÚSICA NA AMÉRICA LATINA: INTERLOCUÇÕES HISTORIOGRÁFICAS

  Maria Luiza Franca Ramalho

  • PDF (Portuguese)

APRESENTAÇÃO

• APRESENTAÇÃO

  Icaro Bittencourt, Leandro Braz da Costa

  • PDF (Portuguese)

ARTIGOS - DOSSIÊ

• AUTONOMIA E HISTORICISMO: A FALSA ALTERNATIVA

  André Fabiano Voigt

  15-30

  • PDF (Portuguese)

• MUSIC AND POLITICS: PARADOXES OF THE SOCIAL HISTORY OF MUSIC

  André Fabiano Voigt

  31-50

  • PDF (Portuguese)

• JAZZ IN BRAZIL OR BRAZILIAN JAZZ? A HISTORICAL REVIEW OF JAZZ DURING THE LONG MODERNISM (1920 – 1980)

  Renan Branco Ruiz

  51-81

  • PDF (Portuguese)

• VENGA A BAILAR EL ROCK AND ROLL: A FORMAÇÃO DO MERCADO DA MÚSICA JOVEM ARGENTINA ENTRE OS PRIMEIROS ROCKER’S E A NUEVA OLA (1956-1964)

  Karin Helena Antunes de Moraes

  82-103

  • PDF (Portuguese)

• BEYOND PREHISTORY: RETHINKING THE FIRST GENERATION OF ROCK IN BRAZIL (1955-1964)

  Luís Fellipe Fernandes Afonso

  104-123

  • PDF (Portuguese)

• COUNTERCULTURE, MYSTICISM AND NONSENSE IN JORGE MAUTNER’S “UM SALTO NO ESCURO”

  Guilherme Araujo Freire

  124-146

  • PDF (Portuguese)

• DESBUNDAR IS A POLITICAL ACT: NOVOS BAIANOS AND THE BRAZILIAN MILITARY DICTATORSHIP

  Caroline Gonzaga, Soraia Gatti

  147-172

  • PDF (Portuguese)

• AS CANÇÕES DE LEÓN GIECO E A LUTA POR MEMÓRIA, VERDADE E JUSTIÇA NA ARGENTINA (1983-1992)

  Vanessa Morais Dornelles

  173-199

  • PDF (Portuguese)

• “POR AMOR ÀS CAUSAS PERDIDAS”: OS DONS QUIXOTES DE CERVANTES E GESSINGER AO MESSIANISMO DE WALTER BENJAMIN NAS TESES “SOBRE O CONCEITO DE HISTÓRIA”

  Wendell Guedes da Silva

  200-215

  • PDF (Portuguese)

ARTIGOS - LIVRES

• PALCO DE ENCONTROS: O I CONGRESSO BRASILEIRO DE FOLCLORE (1951)

  Ewerton Wirlley Silva Barros

  217-234

  • PDF (Portuguese)

• “AN ARTISTIC REFINEMENT OF ARCHITECTURE”: THE CONSTRUCTION OF THE MUNICIPAL THEATER OF SÃO JOÃO DA BOA VISTA AS A SYMBOL OF MODERNITY

  Luis Pedro Dragão Jeronimo

  236-258

  • PDF (Portuguese)

• FRAGMENTS OF MEMORIES: WOMEN WORKERS IN THE GERMAN IMMIGRATION AREA (VALE DOS SINOS, RIO GRANDE DO SUL, LATE 19TH CENTURY AND EARLY 20TH CENTURY)

  Marlise Regina Meyrer, Daniel Luciano Gevehr

  259-282

  • PDF (Portuguese)

• AI-5 VERSIONS AND CONTROVERSIES: THE ECHOES AND REPERCUSSIONS OF THE MILITARY DICTATORSHIP IN BRAZIL

  Thiago Fidelis, Adelino Francklin, Janaína de Almeida Teles

  283-309

  • PDF (Portuguese)

• WOMEN WHO KILL, WOMEN WHO STEAL: REPRESENTATIONS OF THE FEMALE CRIMINAL IN CRIME LITERATURE IN RIO DE JANEIRO (LATE XIX AND EARLY XX CENTURY)

  Amanda Ribeiro Mafra

  310-337

  • PDF (Portuguese)

• AN ANARCHIST ODYSSEY: REPORTS OF THE EXPULSION OF FOREIGNERS IN THE PERIODICAL LA PROTESTA IN THE EARLY YEARS OF THE 20TH CENTURY

  Ingrid Souza Ladeira de Souza

  338-360

  • PDF (Portuguese)

• HAGIOGRAPHY AS A BIOGRAPHICAL PROBLEMATIC: THE CASE OF THE PERFECTUS MONK

  Augusto Machado Rocha

  361-379

  • PDF (Portuguese)

• THE "THE ONE ULTIMATELY RESPONSIBLE FOR CENSORSHIP HAS NO FACE OF ITS OWN: IT IS CALLED THE AUDIENCE": LESBIANISM, MEDIA AND PREJUDICE. A STUDY ON TORRE DE BABEL AND BABILÔNIA

  Maiara Sanches Leite

  380-398

  • PDF (Portuguese)

• CULTURE AND SCOTTISH NATIONALISM: THE CORRIES, TWO SONGS AND THEIR ISSUES

  Lucas Lixa Victor Neves, Bruna Aparecida Gomes Coelho

  399-417

  • PDF (Portuguese)

• TEMPO E ARTISTA: A RESISTÊNCIA À DITADURA CIVIL-MILITAR BRASILEIRA NA VIDA E NA OBRA DO CINEASTA HELVÉCIO RATTON

  Júlia Guimarães

  419-438

  • PDF (Portuguese)